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Art

Rainbows are generally described as very colourful and peaceful. The rainbow occurs often in paintings. Frequently these have a symbolic or programmatic significance (for example, Albrecht Dürer's Melancholia I). In particular, the rainbow appears regularly in religious art (for example, Joseph Anton Koch's Noah's Thanksoffering). Romantic landscape painters such as Turner and Constable were more concerned with recording fleeting effects of light (for example, Constable's Salisbury Cathedral from the Meadows). Other notable examples appear in work by Hans Memling, Caspar David Friedrich, and Peter Paul Rubens.

Circumhorizontal arc

The circumhorizontal arc is sometimes referred to by the misnomer 'fire rainbow'. As it originates in ice crystals it is not a rainbow but a halo.[7]

Cyan

There is also some evidence that Newton's use of the terms blue and indigo map to the modern hues cyan and blue respectively. Therefore, using today's colour terms, Newton would say that the spectrum contains red, orange, yellow, green, cyan, blue, and violet. Thus, the rainbow would contain the following colours: [31][32]

Description

A rainbow is an optical and meteorological phenomenon that causes a spectrum of light to appear in the sky when the Sun shines onto droplets of moisture in the Earth's atmosphere. They take the form of a multicoloured arc, with red on the outer part of the arch and violet on the inner section of the arch. A rainbow spans a continuous spectrum of colours. Traditionally, however, the sequence is quantised. The most commonly cited and remembered sequence, in English, is Newton's sevenfold red, orange, yellow, green, blue, indigo and violet (popularly memorized by mnemonics like Roy G. Biv). Rainbows can be caused by other forms of water than rain, including mist, spray, and dew.

Effects to be distinguished from rainbow

* Circumhorizontal arc * Circumzenithal arc * Fog bow * Glory * Halo * Moonbow * Sun dog * Iridescent colours in soap bubbles

Flags

Historically, a rainbow flag was used in the German Peasants' War in the 16th century as a sign of a new era, of hope and of social change. Rainbow flags have also been used as a symbol of the Cooperative movement; as a symbol of peace, especially in Italy; to represent the Tawantin Suyu, or Inca territory, mainly in Peru and Bolivia;[26] by some Druze communities in the Middle east; and by the Jewish Autonomous Oblast. A "rainbow flag" has been in use as a symbol of "gay pride" and LGBT social movements since the 1970s. The colours reflect the diversity of the LGBT community. It was originally designed by San Francisco artist Gilbert Baker in 1978. [27][28]

Literature

The rainbow inspires metaphor and simile. Virginia Woolf in To the Lighthouse highlights the transience of life and Man's mortality through Mrs Ramsey's thought, Wordsworth's 1802 poem "My Heart Leaps Up When I Behold The Rainbow" begins: The Newtonian deconstruction of the rainbow is said to have provoked John Keats to lament in his 1820 poem "Lamia": In contrast to this is Richard Dawkins; talking about his book Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder:

Music

* In Over the Rainbow from The Wizard of Oz the young character Dorothy Gale, fantasizes about a place over the rainbow, where everything is alright, and the world is in peace and harmony. * In Rainbow Connection, a song known for being sung by Kermit the Frog, the idea of a rainbow is seen as something to wish on, as it is popularly seen as a vision, or symbol of hope. * In the hit 1995 song Waterfalls by TLC written by the late Lisa "Left Eye" Lopes, Left Eye mentions in a rap that.... "I seen a rainbow yesterday, but too many storms have come, and gone, leaving a trace of not one god given ray" Which is a song lyric that confirms the pop culture behind a rainbow being seen as a godly affirmation, or a sign of strong hope. * In the End of The Rainbow by September the singer sings about the rainbow, and how she will be at the end of the rainbow and her ex could see her there when he reaches the end of the rainbow. See also the group Rainbow and the song "Rainbow Demon" by Uriah Heep.

Rainbows on Titan

It has been suggested that rainbows might exist on Saturn's moon Titan, as it has a wet surface and humid clouds. The radius of a Titan rainbow would be about 49° instead of 42°, because the fluid in that cold environment is methane instead of water. A visitor might need infrared goggles to see the rainbow, as Titan's atmosphere is more transparent for those wavelengths.[8]

References

* Greenler, Robert (1980). Rainbows, Halos, and Glories. Cambridge University Press. ISBN 0195218337.  * Lee, Raymond L. and Alastair B. Fraser (2001). The Rainbow Bridge: Rainbows in Art, Myth and Science. New York: Pennsylvania State University Press and SPIE Press. ISBN 0-271-01977-8.  * Lynch, David K.; Livingston, William (2001). Color and Light in Nature (2nd edition ed.). Cambridge University Press. ISBN 0-521-77504-3.  * Minnaert, Marcel G. J. (1993). Light and Color in the Outdoors. Springer-Verlag. ISBN 0-387-97935-2.  * Minnaert, Marcel G. J. (1973). The Nature of Light and Color in the Open Air. Dover Publications. ISBN 0-486-20196-1.  * Naylor, John (2002). Out of the Blue: A 24-Hour Skywatcher's Guide. Cambridge University Press. ISBN 0-521-80925-8.  * Boyer, Carl B. (1987). The Rainbow, From Myth to Mathematics. Princeton University Press. ISBN 0-691-08457-2.  * Graham, Lanier F. (editor) The Rainbow Book Berkeley, California: Shambhala Publications and The Fine Arts Museums of San Francisco (1976) (Large format handbook for the Summer 1976 exhibition The Rainbow Art Show which took place primarily at the De Young Museum but also at other museums. The book is divided into seven sections, each coloured a different colour of the rainbow.) * De Rico, Ul (1978). The Rainbow Goblins. Thames & Hudson. ISBN 0-500-27759-1. 

Reflected rainbow, reflection rainbow

Special rainbows may appear when a rainbow is seen above a body of water, if the water surface is quiet. A reflected rainbow will appear as a mirror image below the horizon (see photo above). The sunlight is first deflected by the raindrops, and then reflected off the body of water, before reaching the observer. The reflected rainbow is frequently visible, at least partially, even in small puddles. Where sunlight reflects off a body of water before reaching the raindrops (see diagram), it may produce a reflection rainbow (see photo at the right), if the water body is large, and quiet over its entire surface, and close to the rain curtain. The reflection rainbow appears above the horizon. It intersects the normal rainbow at the horizon, and its arc reaches higher in the sky. Due to the combination of requirements, a reflection rainbow is rarely visible. Six (or even eight) bows may be distinguished if the reflection of the reflection bow, and the secondary bow with its reflections happen to appear as well.[6]

Religion and mythology

The rainbow has a place in legend owing to its beauty and the historical difficulty in explaining the phenomenon. In Greek mythology, the rainbow was considered to be a path made by a messenger (Iris) between Earth and Heaven. In Chinese mythology, the rainbow was a slit in the sky sealed by Goddess Nüwa using stones of five different colours. In Hindu mythology, the rainbow is called "Indradhanush", meaning the bow (Sanskrit & Hindi: dhanush is bow) of Indra, the God of lightning, thunder and rain. Another Indian mythology says rainbow is the bow of Kama, the God of love. It is called Kamanabillu in Kannada, billu meaning bow. In Norse Mythology, a rainbow called the Bifröst Bridge connects the realms of Ásgard and Midgard, homes of the gods and humans, respectively. The Irish leprechaun's secret hiding place for his pot of gold is usually said to be at the end of the rainbow. This place is nearly impossible to reach, because the rainbow is an optical effect which depends on the location of the viewer. When walking towards the end of a rainbow, it will move further away. After Noah's Flood, the Bible relates that the rainbow gained meaning as the sign of God's promise that terrestrial life would never again be destroyed by flood (Genesis 9.13-15)[25]: I have set my bow in the clouds, and it shall be a sign of the covenant between me and the earth. When I bring clouds over the earth and the bow is seen in the clouds, I will remember my covenant that is between me and you and every living creature of all flesh; and the waters shall never again become a flood to destroy all flesh. Another ancient portrayal of the rainbow is given in the Epic of Gilgamesh: the rainbow is the "jewelled necklace of the Great Mother Ishtar" that she lifts into the sky as a promise that she "will never forget these days of the great flood" that destroyed her children. (The Epic of Gilgamesh, Tablet Eleven) Then Ishtar arrived. She lifted up the necklace of great jewels that her father, Anu, had created to please her and said, "Heavenly gods, as surely as this jewelled necklace hangs upon my neck, I will never forget these days of the great flood. Let all of the gods except Enlil come to the offering. Enlil may not come, for without reason he brought forth the flood that destroyed my people." In the Dreamtime of Australian Aboriginal mythology, the rainbow snake is the deity governing water. In New Age and Hindu philosophy, the seven colours of the rainbow represent the seven chakras, from the first chakra (red) to the seventh chakra (violet).

Scientific explanation

The light is first refracted as it enters the surface of the raindrop, reflected off the back of the drop, and again refracted as it leaves the drop. The overall effect is that the incoming light is reflected back over a wide range of angles, with the most intense light at an angle of 40°–42°. The angle is independent of the size of the drop, but does depend on its refractive index. Seawater has a higher refractive index than rain water, so the radius of a 'rainbow' in sea spray is smaller than a true rainbow. This is visible to the naked eye by a misalignment of these bows.[2] The amount by which light is refracted depends upon its wavelength, and hence its colour. Blue light (shorter wavelength) is refracted at a greater angle than red light, but due to the reflection of light rays from the back of the droplet, the blue light emerges from the droplet at a smaller angle to the original incident white light ray than the red light. You may then think it is strange that the pattern of colours in a rainbow has red on the outside of the arc and blue on the inside. However, when we examine this issue more closely, we realise that if the red light from one droplet is seen by an observer, then the blue light from that droplet will not be seen because it must be on a different path from the red light: a path which is not incident with the observer's eyes. The blue light seen in this rainbow will therefore come from a different droplet, which must be below that whose red light can be observed. Contrary to popular belief, the light at the back of the raindrop does not undergo total internal reflection, and some light does emerge from the back. However, light coming out the back of the raindrop does not create a rainbow between the observer and the sun because spectra emitted from the back of the raindrop do not have a maximum of intensity, as the other visible rainbows do, and thus the colours blend together rather than forming a rainbow. A rainbow does not actually exist at a particular location in the sky. Its apparent position depends on the observer's location and the position of the sun. All raindrops refract and reflect the sunlight in the same way, but only the light from some raindrops reaches the observer's eye. This light is what constitutes the rainbow for that observer. The position of a rainbow in the sky is always in the opposite direction of the Sun with respect to the observer, and the interior is always slightly brighter than the exterior. The bow is centred on the shadow of the observer's head, or more exactly at the antisolar point (which is below the horizon during the daytime), appearing at an angle of 40°–42° to the line between the observer's head and its shadow. As a result, if the Sun is higher than 42°, then the rainbow is below the horizon and cannot be seen as there are not usually sufficient raindrops between the horizon (that is: eye height) and the ground, to contribute. Exceptions occur when the observer is high above the ground, for example in an aeroplane (see above), on top of a mountain, or above a waterfall.

Scientific history

The Arab physicist and polymath, Ibn al-Haytham (Alhazen; 965-1039), attempted to provide a scientific explanation for the rainbow phenomenon. In his Maqala fi al-Hala wa Qaws Quzah (On the Rainbow and Halo), he "explained the formation of rainbow as an image, which forms at a concave mirror. If the rays of light coming from a farther light source reflect to any point on axis of the concave mirror, they form concentric circles in that point. When it is supposed that the sun as a farther light source, the eye of viewer as a point on the axis of mirror and a cloud as a reflecting surface, then it can be observed the concentric circles are forming on the axis."[9] He was not able to verify this because his theory that "light from the sun is reflected by a cloud before reaching the eye" did not allow for a possible experimental verification.[10] This explanation was later repeated by Averroes,[9] and, though incorrect, provided the groundwork for the correct explanations later given by Kamāl al-Dīn al-Fārisī (1267-ca.1319/1320) and Theodoric of Freiberg.[11] Ibn al-Haytham's contemporary, the Persian philosopher and polymath Ibn Sīnā (Avicenna; 980-1037), provided an alternative explanation, writing "that the bow is not formed in the dark cloud but rather in the very thin mist lying between the cloud and the sun or observer. The cloud, he thought, serves simply as the background of this thin substance, much as a quicksilver lining is placed upon the rear surface of the glass in a mirror. Ibn Sīnā would change the place not only of the bow, but also of the colour formation, holding the iridescence to be merely a subjective sensation in the eye."[12] This explanation, however, was also incorrect.[9] In Song Dynasty China (960–1279), a polymathic scholar-official named Shen Kuo (1031–1095) hypothesized—as a certain Sun Sikong (1015–1076) did before him—that rainbows were formed by a phenomenon of sunlight encountering droplets of rain in the air.[13] Paul Dong writes that Shen's explanation of the rainbow as a phenomenon of atmospheric refraction "is basically in accord with modern scientific principles."[14] The Persian astronomer, Qutb al-Din al-Shirazi (1236–1311), gave a fairly accurate explanation for the rainbow phenomenon. This was elaborated on by his student, Kamāl al-Dīn al-Fārisī (1260–1320), who gave a more mathematically satisfactory explanation of the rainbow. He "proposed a model where the ray of light from the sun was refracted twice by a water droplet, one or more reflections occurring between the two refractions." He verified this through extensive experimentation using a transparent sphere filled with water and a camera obscura.[10] As he noted in his Kitab Tanqih al-Manazir (The Revision of the Optics), al-Farisi used a large clear vessel of glass in the shape of a sphere, which was filled with water, in order to have an experimental large-scale model of a rain drop. He then placed this model within a camera obscura that has a controlled aperture for the introduction of light. He projected light unto the sphere and ultimately deducted through several trials and detailed observations of reflections and refractions of light that the colours of the rainbow are phenomena of the decomposition of light. His research had resonances with the studies of his contemporary Theodoric of Freiberg (without any contacts between them; even though they both relied on Ibn al-Haytham's legacy), and later with the experiments of Descartes and Newton in dioptrics (for instance, Newton conducted a similar experiment at Trinity College, though using a prism rather than a sphere).[15][16][17][18] In Europe, Ibn al-Haytham's Book of Optics was translated into Latin and studied by Robert Grosseteste. His work on light was continued by Roger Bacon, who wrote in his Opus Majus of 1268 about experiments with light shining through crystals and water droplets showing the colours of the rainbow.[19] Theodoric of Freiberg is known to have given an accurate theoretical explanation of both the primary and secondary rainbows in 1307. He explained the primary rainbow, noting that "when sunlight falls on individual drops of moisture, the rays undergo two refractions (upon ingress and egress) and one reflection (at the back of the drop) before transmission into the eye of the observer".[20] He explained the secondary rainbow through a similar analysis involving two refractions and two reflections. Descartes 1637 treatise, Discourse on Method, further advanced this explanation. Knowing that the size of raindrops did not appear to affect the observed rainbow, he experimented with passing rays of light through a large glass sphere filled with water. By measuring the angles that the rays emerged, he concluded that the primary bow was caused by a single internal reflection inside the raindrop and that a secondary bow could be caused by two internal reflections. He supported this conclusion with a derivation of the law of refraction (subsequently, but independently of, Snell) and correctly calculated the angles for both bows. His explanation of the colours, however, was based on a mechanical version of the traditional theory that colours were produced by a modification of white light.[21][22] Isaac Newton demonstrated that white light was composed of the light of all the colours of the rainbow, which a glass prism could separate into the full spectrum of colours, rejecting the theory that the colours were produced by a modification of white light. He also showed that red light gets refracted less than blue light, which led to the first scientific explanation of the major features of the rainbow.[23] Newton's corpuscular theory of light was unable to explain supernumerary rainbows, and a satisfactory explanation was not found until Thomas Young realised that light behaves as a wave under certain conditions, and can interfere with itself. Young's work was refined in the 1820s by George Biddell Airy, who explained the dependence of the strength of the colours of the rainbow on the size of the water droplets. Modern physical descriptions of the rainbow are based on Mie scattering, work published by Gustav Mie in 1908. Advances in computational methods and optical theory continue to lead to a fuller understanding of rainbows. For example, Nussenzveig provides a modern overview.[24]

Supernumerary rainbow

A supernumerary rainbow is an infrequent phenomenon, consisting of several faint rainbows on the inner side of the primary rainbow, and very rarely also outside the secondary rainbow. Supernumerary rainbows are slightly detached and have pastel colour bands that do not fit the usual pattern. It is not possible to explain their existence using classical geometric optics. The alternating faint rainbows are caused by interference between rays of light following slightly different paths with slightly varying lengths within the raindrops. Some rays are in phase, reinforcing each other through constructive interference, creating a bright band; others are out of phase by up to half a wavelength, cancelling each other out through destructive interference, and creating a gap. Given the different angles of refraction for rays of different colours, the patterns of interference are slightly different for rays of different colours, so each bright band is differentiated in colour, creating a miniature rainbow. Supernumerary rainbows are clearest when raindrops are small and of similar size. The very existence of supernumerary rainbows was historically a first indication of the wave nature of light, and the first explanation was provided by Thomas Young in 1804.

The place of indigo

All the Roy G. Biv mnemonics follow the tradition of including the colour indigo between blue and violet. Newton originally (1672) named only five primary colours: red, yellow, green, blue and violet. Only later did he introduce orange and indigo, giving seven colours by analogy to the number of notes in a musical scale.[29] Some sources now omit indigo, because it is a tertiary colour and partly due to the poor ability of humans to distinguish colours in the blue portion of the visual spectrum.[30]

The seven colours of the rainbow

Since rainbows are composed of a continuous spectrum, different people, most notably across different cultures[who?], identify different numbers of colours in rainbows. The seven colours shown below are a typical representation for Western civilization and Indian civilization. Note: The spectrum colours can only be approximated on a computer screen but the colours shown below are a close approximation of the spectrum colours of the rainbow.

Variations

Occasionally, a second, dimmer, and thicker secondary rainbow is seen outside the primary bow. Secondary rainbows are caused by a double reflection of sunlight inside the raindrops, and appear at an angle of 50°–53°. As a result of the second reflection, the colours of a secondary rainbow are inverted compared to the primary bow, with blue on the outside and red on the inside. The dark area of unlit sky lying between the primary and secondary bows is called Alexander's band, after Alexander of Aphrodisias who first described it. A third, or tertiary, rainbow can be seen on rare occasions, and a few observers have reported seeing quadruple rainbows in which a dim outermost arc had a rippling and pulsating appearance. These rainbows would appear on the same side of the sky as the Sun, making them hard to spot. One type of tertiary rainbow carries with it the appearance of a secondary rainbow immediately outside the primary bow. The closely spaced outer bow has been observed to form dynamically at the same time that the outermost (tertiary) rainbow disappears. During this change, the two remaining rainbows have been observed to merge into a band of white light with a blue inner and red outer band. This particular form of doubled rainbow is not like the classic double rainbow due to both spacing of the two bows and that the two bows share identical normal colour positioning before merging. With both bows, the inner colour is blue and the outer colour is red. Higher-order rainbows were described by Felix Billet (1808-1882) who depicted angular positions up to the 19th-order rainbow. A pattern he called “rose”.[3] In the laboratory, it is possible to observe higher-order rainbows by using extremely bright and well collimated light produced by lasers. A sixth-order rainbow was first observed by K. Sassan in 1979 using a HeNe laser beam and a pendant water drop.[4]. Up to the 200th-order rainbow was reported by Ng et al. in 1998 using a similar method but an argon ion laser beam [5]

Visibility

Rainbows can be observed whenever there are water drops in the air and sunlight shining from behind a person at a low altitude angle (on the ground). The most spectacular rainbow displays happen when half of the sky is still dark with raining clouds and the observer is at a spot with clear sky in the direction of the Sun. The result is a luminous rainbow that contrasts with the darkened background. The rainbow effect is also commonly seen near waterfalls or fountains. In addition, the effect can be artificially created by dispersing water droplets into the air during a sunny day. Rarely, a moonbow, lunar rainbow or nighttime rainbow, can be seen on strongly moonlit nights. As human visual perception for colour is poor in low light, moonbows are often perceived to be white.[1] It is difficult to photograph the complete semi-circle of a rainbow in one frame, as this would require an angle of view of 84°. For a 35 mm camera, a lens with a focal length of 19 mm or less wide-angle lens would be required. Now that powerful software for stitching several images into a panorama is available, images of the entire arc and even secondary arcs can be created fairly easily from a series of overlapping frames. From an aeroplane, one has the opportunity to see the whole circle of the rainbow, with the plane's shadow in the centre. This phenomenon can be confused with the glory, but a glory is usually much smaller, covering only 5°–20°. At good visibility conditions (for example, a dark cloud behind the rainbow), the second arc can be seen, with inverse order of colours. At the background of the blue sky, the second arc is barely visible.