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Goal Seeking Sugar Babies in Glis, Valais
Attractive, intelligent, ambitious and goal oriented. Sugar Babies in Glis, Valais are students, actresses, models or girls & guys next door. You know you deserve to date someone who will pamper you, empower you, and help you mentally, emotionally and financially.
The Modern Sugar Daddy in Glis, Valais
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Sugar Babies From Glis, Valais
Sugar babies are women who provide intimate relationships or simple companionships to men in exchange for monetary favors or gifts. It is a mutually beneficial arrangement that can work for both those who need companionship and those who desire nice things or money. It is a type of relationship, not a business transaction, unlike other methods of garnering companionship in exchange for money. Sugar babies are not stereotypical "gold diggers." They come in all shapes and sizes and can be any type of woman in Glis, Valais.
A sugar baby may be a college student who is paying her way through college, has some spare time to commit to a sugar baby/sugar daddy relationship and enjoys nice things. She may be intelligent, self-sufficient and classy. She may also be the opposite. The thing to remember is that sugar daddies are looking for different things. Therefore, sugar babies can be any combination of those things.
Sugar babies can also be independently successful women. They may have money of their own, spend time traveling as an executive for a big company, be a business owner or be perpetrator of any number of successful business endeavors. This type of sugar baby may find excitement in this sort of relationship. She may not need anything monetary or nice gifts from her partner. She may just enjoy having a man spend money on her, despite having plenty of money of her own. Many men find success attractive in a woman. Therefore, certain sugar daddies may have exactly this type of woman in mind when they seek to initiate a relationship with a sugar baby.
Monetary success and intelligence or lack thereof are not the only things in which sugar babies differ. A sugar baby's appearance is another area that may differ in Glis, Valais due to cultural expectations or simply differ by personal preference. One sugar daddy may like a classic trophy girlfriend. He may want her to be young and very attentive to her looks on a superficial level. Another sugar daddy may not care how his sugar baby dresses but wants her to be athletic. Yet another sugar daddy may not care about looks at all and simply wants a woman who is entertaining.
When one envisions a sugar baby, the image of a young woman typically comes to mind. This is not always the case. Sugar babies may be older women because older and younger sugar daddies alike may prefer older women. Older women may also seek a life of relative luxury in their later years. It is a good way to have fun, receive gifts and take a break from the hustle of life.
The diversity in sugar babies also applies to ethnicity and weight. There is no set standard for any of these things when it comes to sugar babies. Any woman can strive to be a sugar baby and find the right sugar daddy for her. She can be tattooed and pierced or girl next door sweet. She can be funny or serious. She can be a lover of the arts or a computer geek. In short, sugar baby is as diverse a word as the word woman.
Ayria, Balance & Equilibrium (2003)
2003 marked a big year for Glis as they were signed by the Belgian label Alfa Matrix. Frandsen, now alone in the studio, recorded material that would become their first European released album "Balance". The record gave Glis an identity in the European dark EBM scene. Their first gig outside of the states was March 29th, 2003 at the legendary Slimelight in London followed by an appearance at the Eurorock festival in Belgium. Shaun Frandsen also produced and performed the music for Ayria's album "Debris" in 2003. Following that collaboration, Ayria and Glis embarked on tour supporting Razed In Black across Canada and the USA. Glis and Ayria members were interchangeable in their live gigs during that tour. Frandsen, Pedersen, and Wimer would perform as Glis, and Jennifer Parkin (vocals), Frandsen (keyboards), and Wimer (drums) would play as Ayria. The Glis remix album "Equilibrium" featuring remixed versions of the tracks from "Balance" was released during that tour.
Description
Glis is an Electronic / Industrial music project founded in 2001 by Shaun Frandsen of Seattle, WA (USA). The band has experienced several lineup changes and guest appearances, with frontman Shaun Frandsen acting as the primary producer, vocalist, songwriter, and instrumentalist. Notable guest, Jean-Luc De Meyer of Front 242, contributed vocals on two studio tracks for the Glis album "Nemesis" in 2005.
Discography
* 2001: Extract (ADSR Musicwerks) * 2003: Balance (Alfa Matrix) * 2005: Nemesis (Alfa Matrix) * 2004: Disappear! EPCD (Alfa Matrix) * 2003: Equilibrium (Alfa Matrix) * 2008: A Shot and a Bassline (Alfa Matrix)
Formation & Extract (2000-2002)
Shaun Frandsen and Andrea Ashdown began recording demos at home as early as 2000. Some obscure self-released CDs ("The Storm EP" and early "Extract" demos) were handed out to local Seattle club DJs. Frandsen attracted the attention of music store owner Mike Wimer (Musicwerks) who signed the two for a one album deal on his own label ADSR Musicwerks. Shortly after the release of their debut album "Extract", Mike Wimer became a live member of Glis (percussionist) along with another local Seattle musician Carsten Pedersen (keyboards). Their first notable gigs were supporting Red Flag and VNV Nation. Andrea Ashdown left the band in 2002 to pursue other interests. Frandsen, Wimer, and Pedersen continued the live band without her, as a trio.
Nemesis & Combichrist tours (2004-2007)
Glis played only a handful of live gigs in 2004, as Frandsen concentrated his efforts on recording material for the much darker and heavier "Nemesis" album. The first offering in 2004 was an EP featuring two album tracks and remixes called "Disappear! EPCD". Later that year, Frandsen met Daniel Bressanutti and Patrick Codenys of Front 242 at a Male Or Female (Front 242 side-project) concert in Seattle and talked of a collaboration. The unexpected result was Frandsen teaming up with Front 242 vocalist Jean-Luc De Meyer who recorded vocals on two tracks for "Nemesis". The lyrical content of the two songs ("The Irreparable" and "La Béatrice") were based on the poems of Charles Baudelaire. To support "Nemesis" on the road, Frandsen enlisted with the EBM band Combichrist as support for an extensive N. American tour. Glis was stripped down to a smaller live band consisting of Shaun Frandsen and Karloz M. of Manufactura switching back and forth from vocals and keyboards. During the second week of the tour, Karloz M. was arrested at an afterparty in Tampa, FL. Frandsen had to continue without him. The keyboardist of Combichrist (Syn M.) filled in the missing position. Frandsen and Syn would both remain onstage during the Combichrist set. Later that year, Shaun Frandsen joined Combichrist as a full-time live member. Meanwhile, Glis played out around the world reaching as far as Mexico, Canada, UK, Belgium, The Netherlands, Poland, Russia, and in Germany at Wave Gotik Treffen 2006. However, Frandsen preferred touring with Combichrist, and put the Glis project on ice while he spent the next few years on the road. As if touring with Combichrist wasn't enough, in the fall of 2007, Shaun Frandsen joined (as live keyboardist) with VNV Nation for 20 gigs completing their N. American Judgement Tour.
Shaun F. & A Shot and a Bassline (2008-2009)
In the beginning of 2008, Shaun Frandsen uploaded some demos on his Myspace page for an upcoming project and released a Glis anthology album called "A Shot and a Bassline" featuring re-produced tracks from the Glis discography. The re-edits were done by Krischan Wesenberg of Rotersand. In the summer, former Glis member Andrea Ashdown (from 2001-2002) died suddenly, June 24, 2008, outside of Las Vegas. The cause of death was undetermined. The track "DRTY FCKN DSKO" by Shaun F. was released on several compilations in Europe, but it was the only track to surface from that title. In 2009, Frandsen announced that he would begin recording material for an all new Electronic / Rock project.